Kata (1967)
2 Minutes, 16mm, Color, Sound
One of Fulton’s early experiments in accelerating perception, which he dubbed “Omnivision.” Short bursts, single frames, autumn in New England.
“Nature, gymnastic movements, a cat ... The editing of Fulton and his handling of a camera are already amazing. Since his debut, the way he aligns his camera with gymnastics and martial arts movements is remarkable..”
— Federico Rosin